Daniel Coston
Three
decades ago I started working with acrylic paint in college.
At that time it was a new medium.
It took quite some effort to get a feel for early acrylic paint
because its consistency was not at all like oil, the medium everyone learned
first. Acrylics can be handled
like oil or laid on like watercolor. It
also lends itself to a modified egg tempera technique.
My work is a blend of all these methods but leans toward the egg
tempera technique.
My interest in
egg tempera came about because I saw what Andrew Wyeth and Robert Vickery
had done with egg tempera. I
also use technical drawing pens for commercial work, which includes
cartooning and book illustration. The
traditional crosshatch technique used in pen and ink shows up in my acrylic
paintings.
I do not favor a
particular school or style. My
paintings are realistic and abstract, traditional and…different, sometimes
within the same painting. I work
at this blend of techniques until the result matches my vision.
And…sometimes the vision shifts during the process.
My paintings appear to be realistic but I’ve never had much
interest in being photo-realistic. Just
so it feels right is real enough
for me.
While
living in
After spending
nearly ten years in